Inspired by Guernica by Pablo Picasso (1937)

In Kopitiam, I chose a busy hawker centre setting to depict one of the many frequent artist blocks I encounter. My depiction of a mishmash of iconic playground stone heads, corporate folks, and even the odd Kaiju (Japanese beast) thrown in, represents my experience of learning to channel the chaos within: my inner turmoil as a modern artist struggling to listen to myself more and find my confidence.

Inspired by The Old Guitarist by Pablo Picasso (1903)

In The Old Coffeemaker, I focus on the process that goes into locally brewed kopi (or coffee). Over the years, I have grown to have a better appreciation for the care and craft that goes into making a great cup of kopi; choosing to convey that gruelling daily grind in this artwork. I hope that, as society and technologies advance, this traditional art will continue to be practiced and appreciated!

Inspired by The Son of Man by René Magritte (1964)

In Every Father Son, I chose to focus on the life-changing and somewhat disruptive years of my own National Service by depicting the setting of a gun firing range. The soldier's face is masked by an ominous red traffic light to emphasise the strict adherence to the regiment, the loss of personal identity, and the seemingly slow passage of time while serving. In contrast, the gun firing range itself is depicted with lots of movement and visual noise to highlight the level of stimulation a soldier is put through. The only respite is to look up at the night sky and retreat into the stars for a moment.

Inspired by Untitled by Keith Haring (1983)

In this pop art piece, I celebrate the iconic Toa Payoh Dragon Playground, a local celebrity immortalized by media and beloved by Singaporeans. The artwork explores the parallel evolution of society and technology, highlighting the ever-present influence of social media in our lives.​​​​​​​

Inspired by Jug, Candle, and Enamel Pan by Pablo Picasso (1945)

Channeling the fragmented style of Picasso's "Jug, Candle, and Enamel Pan," this cubist artwork celebrates the essence of Singaporean kopi. A kopi sock, a steaming cup, and a pot brimming with freshly brewed coffee are deconstructed and reassembled, capturing the aroma and vibrancy that greets the rising sun.

This pop art piece celebrates the iconic King Albert Park McDonald's, now a nostalgic beacon of Singapore's cultural heritage. By incorporating local playground characters and classic Japanese pop culture icons, I wanted to showcase the evolving intersection of East and West, past and present, of my own cultural identity.

In this pop art tribute, I reimagine Japanese kissaten culture with a twist of tokusatsu irony. Alien Zarab, once a formidable foe, now expertly crafts coffee, underscoring how villainy, like life itself, is often reduced to routine. Kamen Rider's gentle service provides a comforting counterpoint, reminding us that even as we await heroic moments, it's the quiet, everyday experiences that define us.

In 'O$P$', I blend nostalgia and social commentary, merging retro Singaporean icons with surreal elements. This vibrant illustration explores the tension between nostalgia and modern life.

By combining icons like Ultraman and Toa Payoh's Dragon Playground iconography, I highlight the struggle to balance personal freedom with societal expectations. The O$P$ text critiques financial burdens, while Pac-Man pellets and Mario coins represent consumerism's allure.

I designed and illustrated the Key Visual for the event. The illustration features In Bad Co.’s mascot alongside a canned beverage marked with Ziggie’s logo. I added the Toa Payoh Dragon character to give it a touch of my own personality into the piece.